"The New Negro" was a term popularized during the Harlem Renaissance in the 1920s to describe a new sense of racial pride, self-expression, and self-determination among African Americans. It represented a shift from the old stereotypes and derogatory labels placed on Black people towards a more positive and empowered identity.

The term was first used by Alain Locke, a prominent African American philosopher, writer, and educator, in his seminal anthology titled "The New Negro: An Interpretation," published in 1925. The book featured essays, poetry, fiction, and artwork by various African American intellectuals and artists who were challenging prevailing notions of Black inferiority and showcasing the richness and diversity of Black culture.

The idea of "The New Negro" symbolized a cultural and intellectual awakening within the African American community, as well as a push for social and political equality. It encouraged Black people to embrace their heritage, celebrate their achievements, and demand recognition and respect in a society that had historically marginalized and oppressed them.

The concept of "The New Negro" had a profound impact on the development of Black identity and culture in the 20th century, inspiring generations of African Americans to assert their rights, assert their humanity, and strive for a more just and equitable society.