"The New Negro" is a term that became popular during the Harlem Renaissance in the 1920s. It was used to describe a cultural and political movement among African Americans who sought to redefine themselves and challenge stereotypes that had been imposed on them. The movement emphasized pride in Black identity, culture, and history, and promoted social and political equality.

One of the key figures associated with the idea of "The New Negro" is Alain Locke, an influential philosopher and writer who edited a collection of essays and literature by prominent Black writers and artists in 1925, titled "The New Negro: An Interpretation." This collection highlighted the creative and intellectual achievements of African Americans and aimed to challenge prevailing racial stereotypes.

The concept of "The New Negro" inspired a generation of African American artists, writers, musicians, and intellectuals to celebrate their heritage and contribute to the cultural landscape of America. It played a significant role in shaping the identity and self-expression of Black Americans during the Harlem Renaissance and continues to be a powerful symbol of resilience, creativity, and empowerment in Black history.